I got the name of the author, but I don’t remember it. I could, of course, find it out, but as a crucial part of my argument is that this namelessness – seen from the perspective of visual art – is intrinsically linked with a positive assessment of plagiarism, I will let the author remain anonymous and authorless; had my focus been theory of architecture, I would have looked upon an authored structure, and the subject of my discourse would be fundamentally different.