At a later occasion I recounted this to two theoreticians of architecture, who knew of the maker of the ‘Kirkeby-like’ structure. Not unsurprisingly, they saw nothing in the line of Kirkeby in it, but just, as intented, a piece of architectural research in brick structures of high interest, but unrelated to art. I believe they are right, underlining that the question of stylistic copy or plagiarism is first and foremost related to the developments of the concept of art, that is, the institutions, markets, history and discourses of visual art.