The Paradox of Style as a Concept of Art.  | Darren Hudson Hick & Reinold Schmücker, edd., The Aesthetics and Ethics of Copying. London: Bloomsbury, 2016, pp. 211–23

Art, Craft, and Industrial Production. The humiliation of Josiah Wedgwood, the revenge of art forgery, and the concession of contemporary art | Designprozesse, Fachhochschule Nordwestschweiz Hochschule für Gestaltung und Kunst, 21 March 2015

The Invisibility of Images and Images of a Second Order.  | Paper at the Conference What Images Do, The Royal Academy of Fine Art, Copenhagen, March 19–21 2014.

Det reciproke plagiat. Charlataneri og negativ identitet hos Elmyr de Hory i anledning af Orson Welles F for Fake | Passepartout, no. 34, 2013, pp. 170–188