The idea of “one and a half sculptures” has haunted the artist for a while, for instance, in the case of the on/off Scuipture from 1993. Essentially, this sculpture did not act in any hostile way toward the tradition of minimal sculpture or radical painting, but just as a blurred version of these traditions. The picture plane was partly the dark glass of a TV that had been switched off or the electronic dust from one that was switched on but ‘distracted’, as it was disconnected from any sender.