This general scheme of the sensational discoveries that later becomes exposed as modern forgeries for consequently to be despised as “a crime against art”9 is repeated continuously, with some significant variations, throughout the history of modern art.
‒‒‒‒‒‒ 9) The memorable phrasing of Alfred Lessing, "What Is Wrong with a Forgery?," Journal of Aesthetics & Art Criticism, 23 (1964), 461–471.