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The unsigned painting turned up in 1970 with the estate of the Norwegian industrialist Christian Nicolai Mustad (1878–1970). The family knew about the painting and Mustad had bought it early in his collecting career. They also knew that it was a fake. The painting had initially been bough with the help and advice of the director of the National Gallery in Oslo, Jens Thiis (1870–1942). According to the family story, the French ambassador to Sweden had visited Mustad not long after the picture was bought and suggested that it was a fake. Mustad reacted promptly and banished his painting to the basement.

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